662 26 Road, Grand Junction, Colorado 81506
Phone: (970) 243-4958                                                                                        Toll Free (877) 243-4958

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Art at Willow Pond Bed & Breakfast

 

 

Local artwork is on display and available for purchase in our common room and lobby area.

Willow Pond Bed & Breakfast does not charge the artists a commission,
all proceeds go directly to the artists.
Please support our Grand Valley artists and consider purchasing their work during your visit.

Scroll down to read the artist bio's.

 

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Coming Soon...

The Art and Jewelry of

Efrat Dalton

 

 

This month's featured artist:

 

Piera Kllanxhja

 


www.artistsregister.com/artists/CO199
www.newartcollectors.com

 

Read the recent Daily Sentinel article on Piera

 

 
 

Having spent the first four years of her life in Aspen, Colorado, when it was just another small mountain town,
Western Colorado has continuously drawn Piera back to her roots. As a young girl she was enthralled with the adventures in beauty,
exploring the Rocky Mountains on foot and on horseback. Piera has worked with clay since childhood:
along with drawing, it is the clearest way for her to express the particular joy she finds in Southwest nature.
The line of the cave drawings and the ancient Anasazi pottery, evokes a chorus of melodic forms.
Nature's dance, captured in Anasazi line, is expressed in Piera's pottery and painting.

Piera has spent time in France, Spain, England, Scotland, and Italy, has a B.A. in Fine Arts, an A.A. in Commercial Art,
and was an Art Director in Denver. She began perfecting her pottery designs in Santa Fe, New Mexico in the 1970's.
She discovered crystalline glazing in Abiquiu, N.M. in 1991. Although the exploding atoms can be seen in the crystal glazes as modern,
Piera sees them as most truly reflecting the magic of clay and heat that has always invested Southwest pottery with its strength and mystery.

 

 


Piera's Crystal Glaze Process

Crystal glazes are unique. The crystals in the glaze are formed by exploding
atoms in the glaze, that means that during the firing process, the glaze is
in the process of becoming a glass that is covering the pot of clay.

How this occurs has a few different factors. One is the chemical
composition of the glaze ( i.e. glass). Another is the temperature that the
firing is at the various times of the process, allowing this chemical reaction to occur.

For all pottery is usually covered with a glaze then fired, so it is with crystals, but certain details are varied.
The pot has to be placed on top of a catcher basin to absorb the run-off of the glaze in firing.
These details involve the make up of the glaze (that becomes glass), what chemicals go into the glaze,
the rate the temperature rises, and finally the holding temperature (that creates the exploding atoms in the glass).
And, as important, is the cooling rate.

Crystalline Glazes are a wonderful combination of art & science, where one
never can plan or guess the actual result. This adds to the mystery of art and life!

 

 


" Blue Vase"

 



 

Artists "Inn"Residence":

 

 

Watercolors by

Betsy McLoughlin

                      

 

Betsy McLoughlin, a Grand Junction resident, is primarily a self-taught artist who has been drawing and painting all her life.
Her artwork has often had to be deferred, though, due to her decades-long profession as a Spanish teacher
and her recent full-time job as a Spanish professor at Mesa State College. Nevertheless, Betsy has continued to sketch and paint as much as she can,
and since moving to Grand Junction in 1986 has sold her artwork and won various awards on the Western Slope.
Her painting had to be deferred in the early 1990's when she returned to college to obtain her doctorate in Spanish literature.
However, upon returning to Mesa State, she decorated her office with large watercolors that she painted of tropical beach scenes mounted in old window frames.
She continued creating these windows for others, featuring them in various shows and now a number of people in Grand Junction have some of Betsy's windows.

Since retirement, though, Betsy has been creating smaller watercolor paintings as well, practicing skills she was taught in workshops in California and Colorado.
Carrying a sketchbook with her wherever she goes, she is focusing now on landscapes and everyday scenes.
She has especially enjoyed painting fall and winter scenery and has also been creating a variety of "Christmas" paintings,
whether of snowmen, wintery sunsets, cats looking out of a window, or Southwestern adobe houses decorated with Christmas luminarias.
Betsy and her husband recently converted a basement room into her "art/project room," so she is now ready to spend much more time painting.
You can expect to see her artwork appearing before long in various places around town, including Willow Pond Bed & Breakfast.


betsymlc@aol.com

 

Beautiful Batik work by

Vera Mulder
www.artyme.org

 

 


Having been an artist ever since I can remember, there is no need to reiterate the place art occupies in my life.
I remember drawing on whatever had a blank surface. I wanted to design clothes so I drew my own paper dolls and designed some “hum-dinger” outfits.
I only wish I still had some of these.
There were no art classes where I attended school, first through 12th grade. When teachers found out I could draw, Whamo!…
I was kept busy drawing this and that for bulletin boards. I don’t remember painting anything until my high school science teacher talked my parents into
buying a set of oil paints and brushes for me. Then she gave me a colored reprint of a landscape to copy onto a canvas board.
I soon figured out how to use the oils with linseed oil and turpentine. I matched the colors exactly without knowing the fundamentals of
color theory by mixing a tiny bit of this and of that, and comparing my mix to the color on the print.
College art class 101 was my first exposure to art classes of any kind. The big learning curve here was to learn that details don’t always belong in every work of art,
that there is simplicity of design and abstraction.
I attended college at a time I earned a K-12 teaching certificate with minors in art and music. Then I proceeded to amass enough hours in art, art history and
studio art to fulfill a doctorate. Of course, I never used those credits toward an art degree. Yet I have taught art for nearly four decades, writing curriculums,
starting the high school program at a high school, giving workshops locally and throughout the state, displaying my art in various shows and constantly
learning something new every day about some aspect of the arts. And, yes, I aced the art placement test required by State government for teachers a few years ago.
Therefore I have tried every genre, technique that I come in contact with. Because of my tendency to want to explore everything,
I have had a difficult time settling on only a few mediums. These include clay, especially hand building; batik, because this process slow me down and
requires planning; watercolor which is the hardest medium of all, leaving no room for mistakes and of course photography.
With the age of digital, Adobe and Paint Programs allow even more creativity.
In the years to come, I know there will be new things to learn and to try.
Inspiration can be found everywhere if you keep your eyes, ears, and mind open. Creativity is the key.

BATIK
Batik is a technique dating back 2000 some years to the Island of Java where somehow natives discovered how to decorate cloth made of
plant fibers through a resist method. One uses some type of resist, which could have been tree sap back then, applies this to a surface and adds color over the area.
When all has dried, the resist is removed and presto, there remains a design in the color of the original surface.
One may repeat this step as often as he/she has different colors BUT the key is to go from light to dark, being sure all dries in-between steps.
Of course, at each step the artist paints resist over the newly applied and dry color before adding another. He/she must remember as well,
what happens when certain colors are placed over others, for example, blue over yellow will create greens.
This art form can be decorative, used on fibers or used on clay surfaces. It can be an art form creating portraits, scenes, action or other subject matter.
One’s imagination and creative spin are the only limits to this exciting art technique.


 

Willow Pond is pleased to introduce... Greg Luff, glass artist.
We found this incredibly talented young artist selling his wares at the Grand Junction Downtown Farmer's Market.
Palisade High Alumni, Greg's now a freshman at Mesa State College. We know you'll love his work as much as we do!

 

Greg Luff

 

 

For as long as I can remember I have been an artist. I have always been fascinate with light, color and shape. I am a senior at Palisade High School.
For the last seven years I have worked in clay and two years ago I began working in glass. This year I have combined the two,
creating mixed media pieces of functional art in addition to pendants, vortex and floral marbles, and beads.
In addition to glass, I use only naturally found gems, shells, pearls and silver findings in my jewelry pieces.

I have named my business Elements of Earth. It reflects my deep respect and appreciation for nature.
Our surrounding canyons, mesas, orchards, farmland and desert are the inspiration for much of my work.

It was not until I took a trip to Great Britian as a student ambassador for People to People that I became focused on glass as an artform.
The visit to Waterford Crystal Factory literally changed my life. I came back determined to learn and create in this medium.

After acquiring the proper equipment, I had about six months of experimentation on my own.
After school was out, I was able to attend classes at Glasscraft in Denver and the Eugene School of Glass in Oregon.
I was also fortunate to be accepted into Snow Farm in Massachusetts.
Snow Farm is part of the New England Arts and Crafts Program and run specifically for high school students.

I appreciate your interest in my art and hope you enjoy your purchases!

 

Read the Free-Press article about Greg Luff

 

 

 

Peg Oswald

 

 

 

 

 

 

 

 

 

 

 

From early childhood on, drawing has always been a love of mine. I was fortunate to have an excellent art teacher at the public school
I attended in upstate New York from whom I received art instruction from kindergarten through high school. Even though I had a career
as an elementary classroom teacher, I continued to take art classes to be able to give instruction to my pupils and always took
a sketch book with me on my travels.

It wasn’t until retirement that I discovered the joy of working in clay and the fun of creating paintings with pastels. I continue to take
pottery classes with Terry Shepherd at the Art Center in Grand Junction throwing on the potter’s wheel and hand building. I love the
whole process of creating a piece then adding slips, stains or glazes to achieve a certain look. Watching that piece come out of a firing
(whether from a gas, raku or salt kiln) is like Christmas morning. There is almost always a surprise. I find it quite addictive!

Working with pastels has allowed me to add wonderful color to my drawing. I love the brilliance of the colors and textures
you can achieve with them. Now a small box of pastels goes with me on my travels. Sara Oakley got me started on pastels and
now I am teaching a pastel class for beginners.

I have shown my art work at the Art Center, Crystal Café, Planet Earth Gallery and downtown where I have participated in Friday Art Hop
and the Thursday night Farmer’s market. I reside in Grand Junction , Colorado with my husband and 4 cats.

-Peg

Andre Delgalvis

www.sky-gallery.com

 

 

"Dip"

"Falls"

 

Andre Delgalvis is a commercial photographer located in Grand Junction, Co. specializing in Portrait and Landscape Fine Art Prints.
His landscape work is centered on images of the Colorado Plateau, Lake Powell and Latvia. Andre has been a professionally involved in photography
since 1970 and has had his work displayed in a number of shows both in the U.S. and Latvia.

In 2003 he began finding dinosaur tracks that became exposed due to drought induced falling water levels at Lake Powell.
Over the course of the next two years the number of tracks he found began to reach into the thousands.
With last spring's large snow pack, the lake was projected to rise over 50'. As a result, many of these newly discovered sites would
again be submerged and possibly not visible again in our lifetime.

Andre and Dr. Martin Lockley, a paleontologist from the University of Colorado, specializing in dinosaur tracks collaborated in an effort to document
as many of these sites as possible. Between March and July of 2005, they, together with a number of volunteers, mapped, photographed, took molds,
and made drawings of the threatened sites.

Images from this effort are currently being produced in an edition entitled "Lake Powell- The Lost Tracks"- The photographs are in poster form and are
available for purchase through the gift shop and his studio. Signed and numbered limited edition prints of these images are also available on request.
An article about the tracks is featured in the February 2006 issue of Arizona Highways Magazine.

Current projections suggest that the Lake will rise an additional 35'-40' as a result of this year's runoff. This rise will cover most
of the remaining tracks that he has found in the past 3 years. Between the end of March and the middle of July, Andre, Dr. Lockley and other
volunteers will continue to search for and document these remaining site.

 

 

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